Project Nemesis is a fan driven website for games that use the One-Roll Engine (like Nemesis, Wild Talents, Reign and Monsters) or Chaosium's Basic Roleplay System (BRP) (like Call of Cthulhu) and the Delta Green setting.
Several large bundles of hand-written papers--sheet music,choreographic
instructions, color diagrams, costume designs, architectural drawings,
early-20th century maps of the Himalayas, mechanical drawings for
unusual equipment, etc. Mostly in Russian, although some few in
English. Together these comprise a nearly complete collection of
instructions for Alexander Scriabin's "Mysterium."
Any music historian worth his or her salt will want to get this set into general knowledge. From there, it's only a matter of time until some symphony tries to recreate it. Probably a Russian group, but merciful Keepers might recall AUM's orchestra and just let cultists try to play the whole thing.
Wrinkle #1--DG must take more care than usual. You can silence a cultist, or even a Bronson without too much problem. Let's face it--if you've been too busy keeping secrets to talk to your parents, they're not going to miss you if some strung-out overstressed near-nutso Fed puts a bullet through your brain or too many Percodans in your food. Killing a famous musician will attract LOTS of attention, including from well-heeled patrons and parents.
Wrinkle #2--Taking this from the opposite direction, perhaps you could have a campaign where the musicians or art historians start by finding hints of lost Scriabin manuscripts. He remains more popular in Russia than elsewhere, so you might have a foreign angle to play. How does Joe Average Cellist and Jane Q. Costume-Designer respond to the creepy Aryans asking where they found these papers? And when the elderly Russians show up? And when the creepy NYC rocker starts asking? And when the US Marshals ask you to help them find the art thieves, or when the FBI says you need to play along with nice man from South America, do you get any idea you're in over your head?
Wrinkle #3--This easily divided and reconstructed artwork could serve as a steady type of clue for a Castaigne Collection campaign. Gotta Catch 'Em All! Interpol tracks down an art thief in Italy with some unusual Russian papers, which the embassy would very much like back (cultural treasure, let's not have a repeat of the Amber Room incident), but the FBI wants to talk to the same thief about his buyer in New York, and so on.
Wrinkle #4--Scriabin's muse, Tatiana Schloezer, was an avatar of Nyarlathotep. These papers exist as a reality shard, evidence from a previous version of reality--where Scriabin succeeded in recreating the world. If you have the whole papers, could you repeat that act? Could you undo what had happened? Could you control the event for a
particular end? Could you do it over and over? (See LeGuin's "The Lathe of Heaven" for well-intentioned changes gone bad, and Aetherco's Narcissist for more of the same.)
Wrinkle #5--Scriabin's event, complete with light show and Himalayan venue, was designed to summon the Mi-Go. For what end? And wouldn't MAJESTIC like to know about contact protocols that don't involve radios and lasers?
Wrinkle #6--Scriabin's event was designed to recreate humanity as something nobler. What did this mean? A signal to the Yithians for mass mind transfer? If not them, perhaps Lloiogor, or some other quasi-material thingie. Perhaps it was designed to kill off the base impulses of humanity and set free the higher, better selves. That might leave some nasty and vicious successes (see Colin Wilson's The Mind Parasites for amoral psis created just this way), or some nasty and vicious _replacements_ (Wyndham's The Midwich Cuckoos), or some nasty and vicious failures (Cronenberg's Scanners).
Wrinkle #7--Every major Japanese corporation has their own inhouse orchestra, composed of employees. I suppose that is one spinoff of supporting arts education in school. Consequently, every New Year is celebrated with a performance of Beethoven's Ninth Symphony by the local corporate orchestra. That is a lot of well-financed orchestras that are not beholden to public funding, and therefore have much more leeway in their choice of works to perform. Start your classical music-based scenario in the usual European classical music stomping grounds, and then have the action move to Japan.
Additionel information:
For those of you who slept through music history:
http://www.scriabinsociety.com/biography.html
http://home.uchicago.edu/~nat222/viktor/scriabin.html
http://www.scriabinsociety.com/biography.html
For those of you too lazy to click a link, Scriabin was an early 20th-century Russian composer and Theosophist. His final, unfinished work, "Mysterium," would have been performed in India over seven days to destroy and recreate the world and the human race. Really. I don't know why Ken Hite never did a Supressed Transmission on A.S.
Not quite ARCHINT, but close. Reconstructions of this piece exist, but generally dont' recreate the musical effects--much less the Mythos effects. With a big bundle of easily-divided material, one could have the classic EH-style paper chase, but with some unusualplayers: music historians and musicians plus the usual cultist/DG/SV8/Karotechia/Fate suspects.
Credits: Jay Dugger and Mark McFadden
N.B. Urban legend has it that the physical size of the audio CD was determined
by the length of the Deutsche Grammaphon recording of the Ninth conducted by
Herbert von Karajan. It seems that Sony engineers figured that a disk that
could hold the entire Ninth was the perfect size.