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Project Nemesis is a fan driven website for games that use the One-Roll Engine (like Nemesis, Wild Talents, Reign and Monsters) or Chaosium's Basic Roleplay System (BRP) (like Call of Cthulhu) and the Delta Green setting.
Home arrow Delta Green arrow Psychic Warfare - Pt. I: WALLS OF FIRE
Psychic Warfare - Pt. I: WALLS OF FIRE PDF Print E-mail
Written by Agent Donald   
Saturday, 03 June 2006

In the early 1960's the Soviet Union engaged in an aggressive program of psychic research. The Soviet Academy of Sciences' Institute of Medical and Biological Research pursued and uncovered many minor psychic talents. The KGB applied discoveries such as remote viewing to penetrate western secret projects like Majestic-12 and PISCES.

For a few brief years during the Cold War, the Soviet Union maintained supremacy in the astral theatre of conflict. However, the enormous scope of the threat the Soviet Academy of Sciences unleashed with their psychic research has never been made public. Their otherworldly terror originated in Nazi Germany, in the secret researches of an amoral scientist named Dr. Williem Eisenbien.


Eisenbein had in his possession a prototype Tillinghast Resonator he had obtained from Franklin Rathke in the summer of 1937. Combined with his work in advanced acoustics, Eisenbein was able to maintain strict control over the N-Space field and the things from beyond that it revealed. When he returned to his beloved Germany in the fall of 1937, he continued to develop the bizarre technology, and eventually attracted the attention of the Karotechia.


The Karotechia concluded that the resonator was a reinvention of an ancient Atlantean device that tapped into the invisible energies of the Black Sun (which they also knew as AZATHOTH) and the White Rays that permeated the unseen cosmos. The Nazi masters of the Karotechia were convinced that the Resonator generated the mystic energies of Vril. Exposure to this radiation could unlock hidden powers of the Secret Masters, the Vril-Ya, also known as the Kn'Yan in certain writings. Most of the so-called Aryan supermen died of massive brain hemmorages as a result of deadly T-Radiation literally expanding their minds. Undaunted, the researchers continued their program using victims pulled from the concentration camps.


Eventually, working with Dr. Eisenbein, the Karotechia continued to develop acoustic controls over the Vril field, hoping to minimize casualties and successfully mutate Aryan ubermensch. The process was unpredictable and worked on very few exeptional individuals. Most of the Vrilfolk were jewish prisoners related to each other in one way or another, and possesed dangerous, uncontrollable supernatural powers. This led the Nazis to the irrationally belief that the device only worked on those with a specific racial and genetic heritage somehow linked to Atlantis and Ultima Thule.


The newly empowered Vrilfolk were themselves uncontrollable and unpredictable. The Karotechia relied upon sorcery to control or eliminate the Vril mutants, including supposedly "Aryan" volunteers driven insane by their saturation in other dimensions. By 1945, there were three Vril Ubermensch ready to fight against the allies at Castle Wevelsburg. Their fate remains unknown. The Vril researchers of the Karotechia informed the fuhrer that they were ready to begin the manufacture of an unstoppable army of gods, a new German Pantheon.


Their research had nearly reached operational status when it was seized by Smersh in 1945. Delta Green sent a SUMMER BREEZE team to eliminate Dr. Eisenbein, and managed to watch the scientist fade into a gossamer mist before their very eyes. He was never seen or heard from again. Unfortunately, the Soviets had obtained the Vril Generator and research files of Dr. Eisenbein and they put their new findings into practice over the course of the next few decades, shattering space and time with newfound powers of the mind.


VRIL SOCIETY LINKS:

http://www.crystalinks.com/vril.html
http://www.geocities.com/mevlevi2000/vril-society.htm

 

Credits: The Man in Black


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Copyright (C) 2007 Alain Georgette / Copyright (C) 2006 Frantisek Hliva. All rights reserved.

 
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